At the risk of coming off as a whiner, or ingrate, or worse, an uninitiated beginner at this, I have to question some of the conventional wisdom that is popular among today's literary agents, editors and publishers. No offense intended.
God knows writing a novel is hard enough without having to navigate an obstacle course in the process. Let's take a look at three of those obstacles, a.k.a. conventions of writing:
- Rule #1-The opening scene of the novel: We are told never, and I do mean never, open a novel with a description of the weather, with a funeral, a dream sequence, or a character waking up to an alarm, among others. Frankly, I don't see the problem. As long as the writing is beautiful and engaging, and leads the reader into the story, what does it matter? I don't need to be frightened or mystified or left breathless by an opening scene. Remember, some of us have been on our feet all day. When we sit down to read at night the perfect opening might just be snow falling gently on a calm, moonless night.
I understand that weather can be important to a novel if it serves as an obstacle to the protagonist's goal, or if it foils the enemy's escape, but it also creates setting and mood. One of my novels opens:
"The North Atlantic seaboard in February is reminiscent of a Soviet gulag except that here people endure the torment by choice—the gusty wind, the perpetual gull-gray haze, and snow that freezes into a sooty crust. It’s enough to keep a person under the covers all day long. Sadly this isn’t an option for me today. I have to be on my feet before daybreak and out the door before rush hour, before hospital rounds. Before all hell breaks loose."
- Rule #2-Never use cliches. Personally, I love an occasional cliche. It tells you so much in so few words. For a example in the passage above, I use, "Before all hell breaks loose," to describe what my character expects is going to be a terrible day. I could have said, "Before I get hopelessly behind schedule," or "Before the emergencies start pouring in," but all hell breaking loose encompasses every imaginable disaster. Bam! The worst day ever.
- Rule #3-Avoid words like very, really, even, suddenly, that, awesome, amazing, and actually. The list goes on. Eliminate adjectives, adverbs, and exclamation points. Limit dialogue tags to "said" and "asked." It almost makes you wonder what you have left to work with. Frankly, I don't have huge issues with any of those constructs, used in moderation. I love the image of the macho bad guy blubbering, "I give up." A "hideous" face leaves us to conjure up all kinds of blemishes and deformities. The writer doesn't have to describe every pimple, wart, and scar to get the point across. And, I think it's occasionally OK to...
The problem for aspiring writers is that violation of these rules may be cause for knee-jerk rejection...unless, of course, you're a NY Times best-selling author in which case, the rules don't always apply. You can get away with some of this because you write so well. Case in point.
What do you think? Should we--both the reader and the writer--be tethered to these rules? Do they go too far? Should some of the insurmountable obstacles to acceptance be lifted?
Last week I was in Nazareth, PA. This week it's Pittsburgh. Next week I'll be in Dallas. I love catching up with my family!